Serious Moonlight

• Starring: Meg Ryan, Timothy Hutton, Kristen Bell, Justin Long, Nathan Dean
• Release date: 4 December 2009
• Runtime: 84 mins
• Rating: R
• Genre: comedy

Synopsis:

When high-powered attorney Louise (Meg Ryan) learns that her husband, Ian (Timothy Hutton), plans to leave her after 13 years of marriage to run off with his twentysomething girlfriend, Sara (Kristen Bell), she impulsively decides to take drastic action. She ties up Ian in their country house, and refuses to let him go until they talk things through. Naturally, he resists, and things take an even worse turn for the couple when a young hooligan (Justin Long) hears Ian’s cries for help, and decides to rob the couple blind instead of helping the hapless husband. Serious Moonlight was scripted by the late Adrienne Shelly. Shelly’s husband, Andy Ostrow, who produced the film and has a small role in it, decided to go forward with the project, for which Shelly had been seeking a producer, after the actor-director’s tragic death. Serious Moonlight marks the feature directorial debut of actor Cheryl Hines, who co-starred in Shelly’s last directorial effort, Waitress. Several key crew members for Serious Moonlight — including composer Andrew Hollander, casting directors Sunday Boling and Meg Morman, costume designer Ariyela Wald-Cohain, and line producer Brigitte Mueller previously — worked with Shelly on Waitress. Serious Moonlight had its world premiere at the 2009 Tribeca Film Festival, where it was shown in the Encounters section. – Josh Ralske, All Movie Guide

Review:

You could call “Serious Moonlight,” snappily written by the late actress-writer-director Adrienne Shelly, a five-and-dime “War of the Roses.” This is meant as a compliment, as the film, like its similarly themed forebear “The Waitress,” is a rollicking, nasty ride into the disintegration of a marriage pairing spoiled, upscale spouses. Helped by kind reviews, the film should pull in upscale art house patrons. And “Waitress” fans too will be well-served.

Not just a frivolous jousting match, “Moonlight” has its serious side as an intelligent peephole into the psychological and sexual dynamics that can drive a once loving, loyal couple to the edge of criminality.

Meg Ryan is terrific as high-powered Manhattan lawyer Louise, who, visiting a day early the country house she and husband Ian (Timothy Hutton) share, discovers the premises strewn with lovely flower pedals. This, she soon learns after a startled Ian arrives, is in anticipation of his young mistress, Sara (Kristen Bell), whom he expects to whisk off to Paris the next day. Not a nice farewell gesture to his wife of 13 years.

Maybe we’ve seen Louise before, in characters played by Diane Keaton, Meryl Streep and others, but Ryan makes Louise a ballsy, believable bitch to behold. Upon her discovery, Louise takes action by duct-taping Ian and holding him prisoner in the house, hoping he’ll come to his senses. The back-and-forth that ensues isn’t just a war of the sexes but a war of wills as Ian tries to talk his way out of a bad situation and Louise holds firm, even baking the cookies Ian adores.

What sends the plot further spinning is the arrival of opportunistic, lowlife landscaper Todd (Justin Long), who quickly takes advantage of the situation by tying up all parties so he and his cronies can trash the premises and party. Also late to the scene and tied up in the bathroom with the sparring spouses is Sara, who expects a romantic country prelude to the escape to Paris.

Hutton shines as the roving, besieged husband who learns in a heartbeat that hell hath no fury like a woman scorned, and Bell does honorably with her all-too-familiar hot female spoiler character.

In her feature directing debut, Cheryl Hines (“Curb Your Enthusiasm”) oversees a handsome production and moves the story vigorously.

With its single locale and few characters, the film easily could have worked as a play. Some situations, like a falling pot rendering Ian unconscious, strain credibility. But overall, “Moonlight” is a nuttily engaging tale of betrayal and, perhaps, redemption.

hollywoodreporter.com